(November 14, 1844 - June 18, 1920) was a Romanian painter and gravure artist. In 1862 he entered the National School of Fine Arts from Iaşi where he was taught by Gheorghe Panaiteanu Bardasare and Gheorghe Şiller. He continued his artistic education in Munich where, for seven years, he studied painting, metal gravure and xylography. He painted still life paintings representing small objects that were surrounding him, such as old books, newspapers, religious items, chairs, shoes, plates and especially fruits. Also, he painted many portraits of famous people of his time (for example Gheorghe Asachi, painted in 1881). Many others of his paintings take inspiration from the simple life in the countryside in idyllic compositions and by painting peasants having as models people living in Bavaria and Moldova regions. Beside his artistic career, he was a professor and, later on, the headmaster of the National School of Fine Arts in Iaşi between 1892 and 1902, following Gheorghe Panaiteanu Bardasare. He died in his house on Bărboi street in Iaşi on June 18, 1920 and was interred at Eternitatea Cemetery.   Related Paintings of Constantin Daniel Stahi :. | Disputation over the Trinity | Come back from field | Odalisque | The Inspiration of the Poet | Market Scene |
Related Artists:
Bierstadt, Albert
The landscape painter Bierstadt joined a surveying expedition to the western United States in 1858 after studying painting in Germany.
William Andrews Nesfield
British Painter, 1793-1881 was born in Lumley Park, County Durham. In 1808, after the death of William's mother, the family moved the few miles to Brancepeth where his father became rector of St Brandon's Church. His stepmother was Marianne Mills of Willington Hall, whose nephew was the noted architect Anthony Salvin. William's younger sister in fact married Salvin. Nesfield was educated at Durham School, then located on Palace Green, before entering the army. He fought under Wellington in Spain and at Waterloo and also served for two years in Canada. He retired in 1816 and took up a career as a painter of watercolours, particularly of waterfalls, earning the praise of John Ruskin in Modern Painters. While still exhibiting at the Old Water Colour Society, Nesfield began work as a professional landscape architect, with the encouragement of Salvin. From 1840 until his death he was responsible, either singly or with his sons Arthur Markham and William Eden for no fewer than 259 commissions in the British Isles.
Jean-Baptiste Carpeaux
(May 11, 1827 - October 12, 1875) was a French sculptor and painter. Born in Valenciennes, Nord, son of a mason, his early studies were under François Rude. Carpeaux entered the Ecole des Beaux-Arts in 1844 and won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. Carpeaux sought real life subjects in the streets and broke with the classical tradition. While a student in Rome, Carpeaux submitted a plaster version of Pe - heur napolitain e la coquille, the Neapolitan Fisherboy, to the French Academy. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for Napoleon III's empress, Eugenie. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington D.C.. Some years later, he carved the Girl with a Shell, a very similar study. In 1861 he made a bust of Princess Mathilde, and this later brought him several commissions from Napoleon III.